We, We Wish — Vol.1

The Tutelar Guardian of Forgotten Tales

〈설령 잊혀지더라도 지켜야 할 것을 지키는 자〉

YEAR
2024
FORMAT
Single-channel moving image
Colour, stereo sound
DURATION
10 min 45 sec
MASTER
4800 × 1600 px
3:1 panoramic

The Tutelar Guardian of Forgotten Tales is the first completed chapter of Soojin Pray’s ongoing ritual-media project We, We Wish. It began with an artist-led dawn ritual performed and filmed at Seonbawi Rock on Inwangsan Mountain, Seoul, on January 1, 2023.

Across twelve ritual scenes, the artist works with mask, movement, breath, repetition, sound, and ritual objects. These elements function not as theatrical decoration, but as media through which fragmented cultural memory is carried, transformed, and made perceptible. The twelve scenes were later developed as digital relics and assembled into one 10-minute 45-second single-channel moving-image work.

The project does not reenact a traditional Korean shamanic ceremony. It reconfigures ritual structures through the artist’s trained body and contemporary media practice. A black unfinished mask operates as both guardian and aperture: a face for what remains unnamed, and a threshold through which memory can enter without being reduced to personal identity.

The work asks how embodied cultural knowledge may enter digital media without becoming spectacle or a fixed image of tradition. Digital media does not claim to preserve the original event in full. Instead, it carries partial traces of the ritual across different sites, scales, and viewing conditions.

The original ritual took place before sunrise at Seonbawi Rock, a site long associated with prayer and vernacular spiritual practice in Seoul. The mountain, rock, winter air, darkness, and changing light were not treated as a backdrop. They formed part of the conditions through which the work emerged.

The artist’s body moved through invocation, protection, mourning, purification, boundary, and return. Rather than reconstructing a historical rite, the performance established a contemporary structure for staying with memories and forms of knowledge that have been marginalised, unnamed, or left outside official archives.

The project consists of twelve ritual scenes. Each relic records a distinct action or threshold within the larger work. Together, they form a sequence from the wearing of the mask to the conclusion of the ritual.

01

Video

Mask adorns, veils soul

The artist puts on the mask as an act of invocation. The body shifts from individual performer toward a vessel through which other memories may enter.

02

Image

Shaman’s Dance, Shadows Defeated

With drum and grounded stance, the body establishes resistance and protection through rhythm, weight, and breath.

03

Video

Guardian of Forgotten Tales

The sound and gesture of the bara mark the transformation from witness to guardian. Memory is voiced through vibration rather than speech.

04

Image

Safely Enfolded, Prayers Rise

A bowl is held in stillness. The action turns from outward rupture toward listening, breath, and inward attention.

05

Image

Peace Descends, Blessings Flow

A bell and paper-adorned ritual staff mark the consecration of space. Stillness becomes a form of vigilance and care.

06

Image

Graceful Touch, Souls Comforted

A fan passes across the mask in a restrained gesture of soothing, guidance, and relation.

07

Image

Embracing All, Welcoming Spirits

The body opens around a sustained resonance, creating a threshold between seen and unseen presence.

08

Image

Comfort for the Lost, Guiding Light

Seated in stillness, the performer becomes a witness for the unnamed and unremembered.

09

Video

Banishing Evil, Spirits Soar

Red fabric cuts through the air, drawing a boundary between what must be released and what must remain protected.

10

Image

Souls Honored, Wisdom Resonates

The ritual blade is held not as a weapon, but as a precise instrument of separation, clarity, and guardianship.

11

Image

Guardians of Time

Bells are raised as sound marks a passage between temporal and unseen registers.

12

Image

Mask falls, ritual ends

The ritual closes with a return. The mask remains as a trace of what has passed through the body.

2024 · GWANGJU

10 Years After Ground

The twelve digital relics were presented across twelve tablets alongside a three-hour durational performance.

Sound collaborator and performer: Tamura Ryo

2024 · SEOUL

Art Korea Lab Media Wall

The complete 10-minute 45-second single-channel moving-image work was presented on a large-scale panoramic media wall.

2026 · GIMPO

CICA Museum

Selected for Circle Part.1, an international group exhibition.

10:45 · SINGLE-CHANNEL · 3:1

Screening link available on request.

The approved Vimeo or screening URL will be connected to an explicit play control here. No password will be exposed publicly.

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Project
We, We Wish — Vol.1
Artist
Soojin Pray
Original ritual and filming
January 1, 2023
Artwork completion
2024
Format
Single-channel moving image, colour, stereo sound
Duration / Resolution
10 min 45 sec · 4800 × 1600 px · 3:1 panoramic
Language
Non-verbal artwork
Project Director, Choreography, Performance, and Digital Editing
Soojin Pray (Park Soojin)
Creative Director
Kim Seo-ryeong
Web3 Technical Director
Donggulman (Choi Jin-myeong)
Traditional Mask Making
Lee Doyeol, Master Mask Artisan
Costume Coordination
Seo Hong
Film and Making-of Video
Kim Jung-yeob
Supported by
Ministry of Culture, Sports and Tourism, Republic of Korea; Arts Council Korea
Produced by
SPACE MOUM, Seoul

RESEARCH NOTE During its early development, the project explored blockchain-based provenance and digital archiving. The completed artwork is presented as a single-channel moving-image work.